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<!--Generated by Squarespace Site Server v5.9.2 (http://www.squarespace.com/) on Tue, 09 Mar 2010 20:59:39 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Home</title><subtitle>Home</subtitle><id>http://www.thearchjournal.com/home/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.thearchjournal.com/home/"/><link rel="self" type="application/atom+xml" href="http://www.thearchjournal.com/home/atom.xml"/><updated>2009-03-14T18:13:25Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.2 (http://www.squarespace.com/)">Squarespace</generator><entry><title>-</title><id>http://www.thearchjournal.com/home/2009/3/13/a-scandal-at-the-opera-by-jonathan-leafwitchcraft-on.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/13/a-scandal-at-the-opera-by-jonathan-leafwitchcraft-on.html"/><author><name></name></author><published>2009-03-13T14:30:54Z</published><updated>2009-03-13T14:30:54Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><!--CTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dt--><!-- #apDiv1 { 	position:absolute; 	left:58px; 	top:254px; 	width:583px; 	height:493px; 	z-index:1; } .Thearchjournallead { 	background-color: #333333; 	background-image: url(LOGO/twit_bckgrnd.jpg); 	border-top-width: thick; 	border-right-width: medium; 	border-bottom-width: medium; 	border-left-width: thick; 	border-top-style: dotted; 	border-right-style: dotted; 	border-bottom-style: dotted; 	border-left-style: dotted; 	border-top-color: #000000; 	border-right-color: #000000; 	border-bottom-color: #000000; 	border-left-color: #000000; } .style12 {font-size: 12px} .style13 {font-size: 12px; font-weight: bold; } .style16 {color: #000099} .style17 {color: #000000} .style18 {color: #FF0000} --><!-- TemplateParam name="OptionalRegion1" type="boolean" value="true" -->
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<p align="center"><a href="http://www.thearchjournal.com/home/2009/3/12/a-scandal-at-the-opera.html"><img src="http://farm4.static.flickr.com/3608/3351561892_fefba6c186_m.jpg" alt="" width="158" height="122" /></a></p>
<p align="center"><span class="style13">A Scandal at The Opera-</span><span class="style12"> By Jonathan Leaf</span></p>
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<p align="center"><a href="http://www.thearchjournal.com/home/2009/3/5/poker-and-the-meanhttp://www.thearchjournal.com/home/2009/3/5/poker-and-the-meanest-beggar.htmlest-beggar.html"></a><a href="http://www.thearchjournal.com/home/2009/3/11/witchcraft-on-23rd-and-5th.html"><img src="http://farm4.static.flickr.com/3639/3347774053_74661a0b0a_m.jpg" alt="witchcraft on 23rd street" width="166" height="123" /></a></p>
<p align="center"><span class="style13">Witchcraft on 23rd &amp; 5th- </span><span class="style12">By Jake Siegel</span></p>
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<p align="center"><a href="http://www.thearchjournal.com/home/2009/3/11/rome-unit-i.html"><img src="http://farm4.static.flickr.com/3426/3347771327_d9389a99ba_m.jpg" alt="Rome Unit 1" width="158" height="126" /></a></p>
<p align="center"><span class="style13">Rome Unit 1- </span><span class="style12">By Roy WIlliam Scranton</span></p>
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<p align="center"><a href="http://www.thearchjournal.com/home/2009/3/9/wondermark-series-1.html"><img src="http://farm4.static.flickr.com/3561/3345252583_44e8b08021_m.jpg" alt="fanny" width="158" height="49" /></a></p>
<p><a href="http://www.thearchjournal.com/home/2009/3/9/fanny-lynnyetski.html"><img src="http://farm4.static.flickr.com/3306/3346086916_0992534902_m.jpg" alt="wondermark" width="158" height="48" /></a></p>
<p><span class="style13"><span class="style17">THE ARCH Introduces</span> <span class="style18">COMICS</span>!- <span class="style16"><a href="http://www.thearchjournal.com/home/2009/3/9/wondermark-series-1.html">Wondermark</a></span> </span><span class="style12">by Davis Malk</span><span class="style13">i &amp;<a href="http://www.thearchjournal.com/home/2009/3/9/fanny-lynnyetski.html"> <span class="style16">Fanny</span></a> </span><span class="style12">by Alex Brook Lynn</span></p>
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</p>]]></content></entry><entry><title>The Stock Exchange and the Common Ditch</title><category term="Elizabeth Ralston"/><category term="Heere Gracht"/><category term="NYC history"/><category term="Zack Intrater"/><category term="broad st"/><category term="stock exchange"/><id>http://www.thearchjournal.com/home/2009/3/13/the-stock-exchange-and-the-common-ditch.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/13/the-stock-exchange-and-the-common-ditch.html"/><author><name></name></author><published>2009-03-13T14:17:30Z</published><updated>2009-03-13T14:17:30Z</updated><summary type="html" xml:lang="en-US"><![CDATA[We'll begin at what is, in some ways, the beginning.  There are certain buildings which are so iconic, so anchored in our collective understanding of New York that we can't conceive of anything standing there before.  But, of course, it wouldn't be New York if an earlier building hadn't been razed, with dollar signs dancing in the heads of the destroyers.]]></summary></entry><entry><title>A Scandal at the Opera</title><category term="Jonathan Leaf"/><category term="Metropolitan Opera"/><category term="The Arts"/><id>http://www.thearchjournal.com/home/2009/3/12/a-scandal-at-the-opera.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/12/a-scandal-at-the-opera.html"/><author><name></name></author><published>2009-03-12T04:44:31Z</published><updated>2009-03-12T04:44:31Z</updated><summary type="html" xml:lang="en-US"><![CDATA[Opera is based on myths, and one of the operative myths of the opera world today is that theater director Mary Zimmerman is a combination of Lucrezia Borgia and the anti-christ.]]></summary></entry><entry><title>Rome Unit I</title><category term="Roy Scranton"/><category term="Verse"/><id>http://www.thearchjournal.com/home/2009/3/11/rome-unit-i.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/11/rome-unit-i.html"/><author><name></name></author><published>2009-03-11T05:54:17Z</published><updated>2009-03-11T05:54:17Z</updated><summary type="html" xml:lang="en-US"><![CDATA[1. What doesn&rsquo;t mean &ldquo;now&rdquo;?]]></summary></entry><entry><title>Witchcraft on 23rd and 5th</title><category term="Jake Siegel"/><category term="Narrative"/><id>http://www.thearchjournal.com/home/2009/3/11/witchcraft-on-23rd-and-5th.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/11/witchcraft-on-23rd-and-5th.html"/><author><name></name></author><published>2009-03-11T05:51:59Z</published><updated>2009-03-11T05:51:59Z</updated><summary type="html" xml:lang="en-US"><![CDATA[When I saw the homeless man casting something out on the corner of 23<sup>rd</sup> St. and 5<sup>th</sup> Ave. I slowed down but kept walking. He was throwing change at a cab idling on the street in front of him. I moved west towards the subway figuring that he had some quarrel with the cab driver. When the cab pulled away he didn&rsquo;t stop. There was no traffic close enough for him to hit; quarters landed near the middle of the road a few feet from the eastbound cars waiting for their light. I decided to go back and talk to him, he was down to throwing nickels and I remembered who he was.]]></summary></entry><entry><title>Wondermark Series 1</title><category term="Comics"/><category term="David Malki"/><id>http://www.thearchjournal.com/home/2009/3/9/wondermark-series-1.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/9/wondermark-series-1.html"/><author><name></name></author><published>2009-03-09T07:32:12Z</published><updated>2009-03-09T07:32:12Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<img src="http://farm4.static.flickr.com/3582/3340832066_0f8e5c5b58.jpg" width="500" height="131" alt="lead_wondermark_3_9_09" /></a>]]></summary></entry><entry><title>FANNY LYNNYETSKI</title><category term="Alex Brook Lynn"/><category term="Comics"/><id>http://www.thearchjournal.com/home/2009/3/9/fanny-lynnyetski.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/9/fanny-lynnyetski.html"/><author><name></name></author><published>2009-03-09T07:06:32Z</published><updated>2009-03-09T07:06:32Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<img src="http://farm4.static.flickr.com/3551/3340832120_2644ce5e0f.jpg" width="500" height="139" alt="lead_fanny_3_9_09" /></a>]]></summary></entry><entry><title>The Odds on Online Poker</title><category term="Paul Christopher Hoppe"/><category term="Politics"/><category term="The Gaming Life"/><category term="UIGEA"/><category term="gambling"/><category term="online poker"/><category term="poker"/><id>http://www.thearchjournal.com/home/2009/3/6/the-odds-on-online-poker.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/6/the-odds-on-online-poker.html"/><author><name></name></author><published>2009-03-06T11:45:03Z</published><updated>2009-03-06T11:45:03Z</updated><summary type="html" xml:lang="en-US"><![CDATA[Over a decade ago a good friend of mine started playing online poker. Despite being an avid poker player myself, I was skeptical. Was it safe? Wouldn't it be easy for players to cheat? Could you trust the shuffle? How would you get money on and off the site? Was it even legal? Lacking clear answers to these questions, I put off playing online for several years. Unfortunately, these questions remain unanswered, leaving many who would enjoy online poker afraid to participate while those who choose to play must accept the legal risks as an added cost of entry.]]></summary></entry><entry><title>Poker and The Meanest Beggar</title><category term="Harry Siegel"/><category term="The Gaming Life"/><category term="atlantic city"/><category term="gambling"/><category term="poker"/><id>http://www.thearchjournal.com/home/2009/3/5/poker-and-the-meanest-beggar.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/5/poker-and-the-meanest-beggar.html"/><author><name></name></author><published>2009-03-05T15:53:35Z</published><updated>2009-03-05T15:53:35Z</updated><summary type="html" xml:lang="en-US"><![CDATA[But Poker players are gamblers, if occasionally highly skilled ones, and like entertainers and politicians, they are a superstitious and cowardly bunch, with little idea how to account for the role they play in their own successes and failures.]]></summary></entry><entry><title>Are We on Mars?</title><category term="Albany"/><category term="Alex Brook Lynn"/><category term="Elizabeth Ralston"/><category term="New York State"/><category term="Politics"/><category term="The Arts"/><category term="filmmaking"/><category term="movies"/><category term="tax incentives"/><id>http://www.thearchjournal.com/home/2009/3/3/are-we-on-mars.html</id><link rel="alternate" type="text/html" href="http://www.thearchjournal.com/home/2009/3/3/are-we-on-mars.html"/><author><name></name></author><published>2009-03-03T06:52:07Z</published><updated>2009-03-03T06:52:07Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<em>The Arch presents a follow up to <a href="http://www.thearchjournal.com/home/2009/2/26/moving-pictures-move-out-of-new-york.html" target="_blank">"Moving Pictures Move Out of NY"</a></em><br />Yesterday&rsquo;s press conference at Kaufman Astoria studios in Queens, held by a collection of union and studio representatives, tried to rally support for keeping the New York State Film and TV tax incentive program fully funded and at 30%. The conference took place on the set of &lsquo;Life On Mars&rsquo;, a new TV show set in early 1970s New York. Standing on the set evoked grim parallels between the economic climate of then and now.]]></summary></entry></feed>